Manhunt by Peter Bergen: Impressions

I finished reading Peter Bergen’s Manhunt: From 9/11 to Abottabad – The Ten Year Search For Osama Bin Laden a couple of days ago, and although the book said so much to me, I find there is not much I have to say about it. These current affairs/general knowledge-y books are quite wasted on a person like me who chooses to not read the news. But it was hard to resist a book about a man who changed the course of humanity, when it presented itself. And through the 240 pages of the book, I lost myself in the fascinating, almost novel-like story of America’s hunt for Bin Laden after he launched what was perhaps the most brutal terrorist attack in the history of modern civilization.

The book takes us through Bin Laden and the American law enforcement agencies’ long parallel paths from 2001 through 2011 until they finally converge in Pakistan. Bergen traces the beginnings and rise of Bin Laden and America’s, especially, the CIA’s consequent search of him. He tells how from Somalia to Saudi to Afghanistan to Pakistan, from the Clinton to the Bush to the Obama administration, the deft Osama gave the Americans the slip for nearly two decades. The author recounts how the Bush administration made one expensive error of letting Osama slip by in the mountains of Tora Bora in Afghanistan soon after the 9/11 attacks and how it cost them hundreds of thousands of man hours and money. He goes on the say how things changed once Obama took over and how despite his anti-war stance, he gave it his all to find America’s number one enemy.

Bergen sketches Osama’s life on the run too. Sourcing from the many documents and proofs collected by the intelligence agencies, he describes Osama’s near infallible security measures, his astute leadership skills while in hiding and even some idiosyncrasies. He offers glimpses of his family life, especially his relationship with his wives and children, and close associates as well. It is easy to imagine a Bin laden holed up in the caves or in an inconspicuous bungalow when Bergen writes about it.

While Bergen’s writing is good, he never tries to be anything else but the journalist that he is. His lines are fact-laden, purposeful with not one unnecessary word.  You may well be reading newspaper reports because Bergen’s words lack emotion. However, his pace more than makes up for it, and will serve well devourers of news. As for me, I’ve said so much already, but do you notice how I’ve not said anything (significant) at all? Well, the bottom line is 2 out of 5.

Brahma

Featuring Ranveer Singh in and as BRAHMA.

Siege of Mithila – Book two of The Ramayana by Ashok Banker: Impressions

As long as this book lasted, I was reminded of one trashy pseudo-mythological serial I used to watch with great enthusiasm as a child. Remember ‘Chandrakanta’? Yes, that exact same one with the exaggerated characters with exaggerated eyebrows. My mother groaned and groaned about how utterly tasteless it was, and I agreed and continued to watch. Weekend after weekend, I watched. There was no way I could tear myself away from the display of magic, shape-shifting characters, super drama, and that ultimate hook of ‘What happens next?’

The ‘Siege of Mithila’, like ‘Chandrakanta’, seemed to be excessive at all times. Banker seems to have gone on an overdrive with the second part, in words and their content, making it the second fattest book of the series with 522 pages. There’s so much happening on every page, it’s almost vulgar. Even the writing is so adjective-ridden, that one sentence feels like a mouth so stuffed you cannot chew or swallow. Sample this: Around noon, they had left behind the rolling grassy plains where wild horses, elephant and rhino roamed freely and entire clans of lumbering hippopotami rolled cumbrously in mud pools, and the path had begun undulating constantly, seemingly unable to stay flat any longer, while thickets of wildbrush, sage, bamboo and bizarre profusions of multi-hued wildflowers bounded on either side. My editor hands have wanted to slash in half almost every sentence in this book. There might be readers who appreciate this style of writing and call it giving attention to detail, but I find it onerous. Why, even the first mention of the ‘Siege’ part of the ‘Siege of Mithila’ happens after 300 pages!

Another disproportionate element are the many, oh so many episodes involving sorcery and magic. Because I’ve not read any other version of The Ramayana, I don’t know if they’re part of the original or fanciful creations of the author. While I love and encourage different interpretations of old tales, I’ve found too many things in this book gaudy. Women turning into snakes, people running through magical corridors, men going underwater for missions… you get my drift. Perhaps I’ve read too many ‘realistic’ versions of epics like ‘Yuganta’ and have lost the taste for such work.

But did I stop reading? No. Could I stop reading? No. Why? Because Banker knows how to hold his reader’s attention. And even though I point fingers at the lack of refinement, I must give hand him merit as a writer. It’s like commercial cinema – flashy, given to hyperboles, silly even, but entertaining. Very, very entertaining. Banker makes for a very successful thriller writer, and never lets his pace flag. So long winded as it may seem, you willingly accompany the entourage of Brahmarishi Vishwamitra, the princes Rama and Lakshman, their senapati Bejoo, and an incognito Sita & her bodyguard into the woods and under the oceans, fighting beasts, dacoits and demons and into Mithila for an impending Asura invasion. Parallely thrown in is action from the demon-worshiping Manthara and Dasaratha’s queens in the Ayodhyan palace. Oh, and not to forget a swayamvara and the grand culmination in, guess what, a sorcerous episode.

Am I going to read book three? Yes; because I sure as hell want to know ‘What happens next?’

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This is part two of the seven-part series review of The Ramayana by Ashok Banker. Read the review of Book one of The Ramayana - Prince of Ayodhya here.

Fire

OK, so I had a lot of free time on my hands today! Now meet Fire, the MS Paint version, of course.

Danseuse

An attempt at making a Kathak danseuse using MS Paint in the chalk on board style. What do you think?

Unpeople

Collage number 2. I call this one 'Unpeople' because this room is peopled with things. Whoever gets it, say 'Aye'!

Fashion Goss logo

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Have I ever told you that I've always had this itch for designing logos? Well I do. And because no one will ak me to make one for them, I made one for myself. So Fashion Goss, my very own fashion blog got its very own logo! This was made with elementary tools like MS Word and MS Paint. Pretty, ain't it?

Yin and Yang

I finally gave vent to my urge for collage art. I think my maiden work has turned out pretty good. What say you?

The Artist of Disappearance by Anita Desai: Impressions

I’ve never read an Anita Desai work before. Strangely enough, I don’t recollect having read even one article about her. Either I’ve missed out on it, or the media has never painted any glorious pictures of her. She is not scandalous, Kamala Das-like; she is not glamorous like a Shobha De; nor is she controversial, in the manner of Arundhati Roy. (Or is she?) The Wikipedia page on her is woefully lacking. Apart from the fact that she is a Sahitya Akademi winner, I know nothing. When I started this book, I knew not what to expect. But having finished ‘The Artist of Disappearance’, I want to know who Anita Desai, the person, is. What person writes like this? From whose pen flow words with the terrible beauty of death wishes? But she won’t give in easily. I must perhaps re-read the book, look carefully again between the lines, to understand the source of such enigma.

Yes; ‘enigmatic’ is the word that best describes ‘The Artist of Disappearance’. It is a collection of three novellas – ‘The Museum of Final Journeys’, ‘Translator Translated’ and ‘The Artist of Disappearance’ – stories of strange internal worlds, stories of crumbling, lost people and places. It is as if Anita Desai found the beautiful in the broken, and captured their fall as one would with slow motion photography. You will find it its pages an old IAS officer reminiscing about a an old curator of a forgotten museum, a middle-aged, middle-class teacher on an odyssey of translating a quaint book, and a hermit-artist living in the charred remains of his house, creating strange patterns in nature.

Unhurried – that’s Anita Desai’s writing. Beautiful, slow and sure amidst hoards of books that move so fast, there’s no time to think. I picture this writer, who has emerged from a 7-year literary hiatus with what is probably her last book (God forbid!) with stories about dwindling. She is weaving the emptiness of her own aged world into these pages. Sometimes her lines are labored, with the kind of effort an arthritic person makes when climbing the stairs. But there are so many breathtaking moments too. Especially in those magnified descriptions of nature. There are the kinds of observations people with the luxury of time or the love of nature make. I imagine the 70-something author as having them both. And what exquisite results they yield for the reader.

I don’t know how it is with her other books, but with this one Anita Desai takes time to grow on you. She doesn’t snare, she doesn’t tease, she doesn’t titillate. She grows surreptitiously on you like moss on rocks. Now she isn’t there, now she is. In the first few pages, you don’t know where the story is going or what the point of the story is. In fact, if you are looking for a traditional end, you may not find it even at the end of the story. Because her stories have no end. They are leisurely strolls through forgotten roads of old towns. Embark on ‘The Artist of Disappearance’ only if you can slow down and breathe deep.

  

Wellness for Every Season

The towering Four Seasons Hotel in Mumbai holds within itself an oasis of tranquility. Step into The Spa and watch your worries melt away

The menu of The Spa at the Four Seasons Hotel in Mumbai opens with a very interesting phrase: Invest in yourself. These are precious words of wisdom for any city-dweller lost in the chaos of existence. Up on the treadmill of routine, we seldom have any rest, little time and no peace. We forget how we abuse our bodies and minds in the daily grind; we forget about our brakes. Holding the menu in your hands and reading those words remind you of what you owe yourself. Those words remind you to stop, breathe, relax and most importantly, thank your body. They remind you that a much-needed spa session is what you should get and start afresh.

Feeling welcome

The Spa is spread over two floors of the Four Seasons Hotel and occupies a generous area. Upon entering the Spa Lobby Level 3, one is greeted by welcoming faces and an ambience that is contemporary, yet Indian. Little ethnic touches, like an elegant chest here, a flower pattern there, add warmth and a welcome air to the place. The Spa lounge plays soothing chants that puts visitors in the mood to unwind and relax. A retail area features several products used in the treatments, including perfumes, and ‘Gentlemen’s Tonic’ – the well known men’s grooming line on display. Clients may buy them, or simply acquaint themselves with products that will be used in their spa treatments. The Spa Manager then hands you a questionnaire with questions about your general health and medical conditions, as a part of the consultation. Based on the answers, you are recommended a treatment and explained its merits. The comfort level of the guest is ensured before any treatments are commenced.

The concept

The Spa likes to call itself an Indian spa, but it uses several Western treatments in tandem with Ayurvedic/Indian ones.  However, the ethos is Indian and it is reflected at several levels, like in their decor, their conduct and most importantly, the products they use. The spa extensively uses products from international brands like Lotus Wei, Sundãri, Ilā, and Forest Essentials, and Tathastu among others from India. These brands are not only Ayurvedic/Organic/Natural, but some are also known to support several NGOs. The Spa strives to support brands that support such causes. In fact, The Spa plans to eventually use all organic products for their treatments.

In keeping with their Indian approach, the spa offers complimentary Yoga programs for all spa members at the Yoga studio called Yoga Mudra. There are daily Sunrise Yoga sessions (at the rooftop) to start the day with, private and group Yoga sessions and even an Executive Yoga program, designed especially for the jet-setting professional. A meditation hall is adjacent to the Yoga studio, where clients can escape into tranquil recesses.

The interiors

As far as hotel spas go, The Spa at Four Seasons, Mumbai, is a sizeable one with almost 23,000 sq. ft., including the pool and the salon. It operates on the third and fourth levels of the hotel. Level three features the spa lounge and the men’s wet areas and relaxation lounge while the fourth level has eight treatment rooms and the women’s wet area and relaxation lounge. The interiors look warm with wooden furniture, earthy and pastel colours and plenty of natural light. In treatment rooms that require privacy, oil lamps or candles add to soft lighting.   

There are eight treatment rooms in all, all named after Yoga asanas. The Vajrasana and Nararajasana rooms are couples treatment rooms, with twin massage tables and a massive tub for two in each room. The Tadasana room or the Kerala room is where Ayurvedic treatments from Kerala like Shirodhara are given. The other five treatment rooms are single rooms. Strangely enough, the name plates of these rooms spell these names as Vajra-sana, Dhanura-sana, which looked rather odd because the proper suffix is ‘asana’, e.g. Vajra-asana… However, Sanskrit grammar apart, these treatment rooms are beautiful and very well conceptualized. It is here that therapists offer their clients treatments listed in the spa menu. Specific audio CDs with sacred chants and prayers complement the treatments, and massages strokes are often in tandem with the calming rhythm of the music. All the rooms have mood lighting, and the colour of the light changes in accordance with the treatment. Each room has its own private steam, shower chamber and locker room – something patrons really like and appreciate.  

Solus per aquas

Like all luxury spaces, there is a swimming pool alongside the spa. This rooftop pool is a private little sanctuary, with several cabanas and a small bar serving juices and drinks. There are even mini-treatments (20 minutes long) available at the poolside! From a separate spa menu called Cabana Comforts, clients can choose to have a quick head, hand or foot massage, which are named after the sun, moon and earth respectively.

However, one of our favourite spots at The Spa was the wet area, within the Changing Rooms. Besides the usual lockers and changing areas it features a wonderful expanse of the Vitality Lounge with its various ‘wet’ facilities. Guests are spoilt for choice here, with a choice of hot and cold Experience Showers, a Steam or an Ice Fountain to cool down with.   

However, the most wonderful feature of this wet area is the Vitality Pool. With its metal grill back rests and bubbling water, the pool looks absolutely inviting. Clients can soak in after a treatment, or simply step into it to wind down.

Speaking of winding down, The Spa has a dedicated Relaxation Room, where patrons can unplug, relax and even catch 40 winks post treatment!

The treatments

The Spa offers treatments divided into four main sections, namely Body Therapy, Ayurveda, The Ilā Experience and Face and Body.

 Massages of varying intensity – Ojas (intense), Tula (medium) and Mukta (soft) are offered under the Body Therapy. Other treatments include regulars like the Hot Stone Therapy and the non-so-regular ‘Apoha Mizra’. In fact, the latter is exclusive to The Spa at Four Seasons and is a unique combination of western techniques and Ayurvedic healing traditions.

The Ayurveda menu includes the highly popular Shirodhara, Pada Mardhana (intense foot massage), Uzhichil (body massage) and Shiro Mardhana (head massage).

The Ilā Experience therapies make exclusive use of Ilā products and include a Body Marine Algae Therapy, a Marine Facial, a Rainforest Rejuvenation Facial, a Ku Nye Massage (Tibetan), a Kundalini Back Massage and even a Pregnancy Scrub and Massage.  The Spa is one of the very few places that offer treatments for pregnant women. This gentle therapy employs a mild scrub, massage and music meant for the well-being of both, the mother and the baby.

The Face and Body package includes three Gotu kola variants – Firming Body Envelopment, a body polish and a firming facial. There are two other facial variants too called the Sundari Facial and the Neem Healing Facial. But the most popular treatment that belongs to this category is the Roopana Body Ritual. This treatment is often preferred by couples, and involves a neem-based treatment.

The Spa prides itself for its simple menu that offers clients clear choices. Assistant Spa Manager, Kamal Rana says, “We have kept our menu simple, so as to not confound our clients. The choices are straightforward, without being restrictive.”

The highlights

One of the distinguishing things about The Spa is that all their therapists are CIDESCO & CIBTAC certified. Even if freshers are hired, they are trained in house and are tested for their skills regularly. Of the eight therapists (7 women, 1 man), four are trained in Reiki and use their skills to complement the regular treatments.   

The Spa frequently introduces special programs and promotions, whereby special client categories are catered for. These include, for instance, discounts for senior citizens, ‘Spa and Dine’ packages for couples and even an innovative one named ‘Eat, pray, spa’.

Another notable thing about The Spa is the intelligent business strategy they have employed in terms of membership and accessibility. The spa is open to not only in house guests and spa members, but also walk-in patrons. In fact, 68% of their footfalls comprise such walk-in patrons. They also have a decent number of members at present. Lastly, the spa has a dedicated gym and a Rosano Ferretti salon. 


With big endevours and small, The Spa strives to make a client’s experience memorable and makes you want to ‘Invest in yourself’ time and again. 

Factfile

Opened in: 2008

Area: Over 23,680 sq. ft. (over levels 3 and 4)

Location: Worli, Mumbai

Spa manager: Anjna Poonia

Spa timings: 6am to 10.30pm on all days

Appointments: Pre-fixed, beginning at 9am every day

Gym timings: 6am to 10pm (flexible on request)

Pool timings: 7am to 7pm

Number of therapists: 8 (1 male, 7 female)

Products used: Sundãri, Ilā, Forest Essentials, Tathastu

Certification: CIDESCO & CIBTAC certified therapists

Specialities: Pregnancy massage, couple treatments

Most popular treatment: Roopana Ritual

Client profile: Mostly middle aged males

Website: http://www.fourseasons.com/spa/

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(This article appeared in the Jan-Feb 2012 issue of Spa Mantra - a B2B magazine for the spa and wellness industry. The article can also be read here.)