Showing posts with label micropoetry. Show all posts
Showing posts with label micropoetry. Show all posts

Saturday, May 14, 2011

They said it was love...



I remember this day ~ when we coined ~ what transcends ~ all definition
They said ~ it was love ~ we were too entrenched ~ to care
Drank in each other ~ touched and ached ~ felt more than what ~ love could have faked
And in their soft caress ~ they finally taught ~ the world ~ love, how its done
The world ~ watched them drown ~ let them drown ~ their depths too deep
But what does ~ the world know ~ Of depths or ecstasy ~ of drowning, fingers entwined?
Of bodies in joy ~ of minds in pain ~ of a longing ~ even in togetherness
Their rigid love ~ we smoothened to curves ~ with our sigh-ridden calls ~ to each other
 (Co-written with @_eroteme_)

Monday, May 09, 2011

Tweeterature



   I wouldn't be exaggerating if I said Twitter has changed my life. Though there was a stage of disillusionment, when I proceeded to delete my account, I came right back to it; an addict.
   Day after day, I witness streams of brilliance, profundity, honesty, vanity, meanness, and sometimes plain stupidity. It is human nature, joy and misery at its best. And oh, art. Achingly beautiful art. One thing I thank Twitter a lot for, is the portal of beautiful words it has opened up for me. And people capable of such beauty. Sifting through several thousand tweets, I've chanced upon people who never cease to please. It is a joyride of poetry, stories, little victories and losses, love, wisdom, laughter and fleeting yet firm friendships. A place of endless amusement, discovery and ego-massages, and, sadly, my only excuse of a social life.
   But what I owe to Twitter the most is, what I call, Tweeterature. Laugh if you will, but I find this corny coinage a very fitting tribute to this tireless factory that produces Twitter literature. This seemingly restricting140-character limit extracts the most intense, insane kind of beauty a poet or a writer is capable of. After experimenting with micropoetry, I landed this wonderful spot called microfiction, whereby I attempted to create complete stories in a line or two. It was good, but I was left wanting. Soon I chanced upon two of my wonderful author friends on Twitter (@ramyaranee and @indianerotica) collaborating on my timeline, and conjuring up the most wonderful kind of stories, one tweet at a time. I wanted to do it too. That jugalbandi looked like so much fun. I waited for someone to follow my lead. And someone did.
     One fine morning, when I was throwing random lines at my timeline, like I usually do, a follower (who has since become a friend) called @tishman responded with a tweet that connected. I tweeted back with a third line in sequence and over the next few hours, we tweeted back and forth, and wove what became my first story collaboration on Twitter. It was exhilarating! I gathered each of our story tweets carefully later that day, and put it up on my blog. I think I was as proud and happy as the day Jishnu was born! :)
   It became something of a ritual. Each morning he or I would throw an opening line to the other, and a story would be created. We wrote 'Snatches of a Dream', 'Another time for love' and 'The raw deal'. I had never before experienced such creative challenges. It's like trying to drive a car that has two steering wheels and two drivers, who often steer in the opposite direction. Sometimes, you read each other's mind, follow a plot with a telepathic agreement, and sometimes, take off in a direction that completely stumps the other person. But not knowing what the next line of your story will be, is exciting, to say the least.
   Others caught whiff of the exhilaration, and I got my next enthusiastic co-author in @red_devil22. He slipped into the co-writer's seat with equal ease, and has been consistently writing stories with me. We have churned out a sizable number of stories yet, that include 'Knot in love', 'Crushed', 'Green love', 'A train to forever after,' 'Lovesick' and 'The reunion.' We seem to show no signs of tiring, and I hope there will be many more such wonderful collaborations. A couple of other Twitter friends played along too, and with @ShwetaKaushik was born 'Saviours', and as a deviation, @pranavvk and I co-wrote a poem called 'A change of heart'.
   Each piece of Tweeterature has come with its share of exultation and grrr. As with everything else in life, collaborative story writing is about getting your way. You are happy when your co-author follows your lead, understands your pre-set plot and plays along. When they veer off your chosen track, you, well, don't like it. But that's also where the wonderful challenge is. You then try to match up to the unexpected step, and continue with the story without losing the plot. Sometimes, just for fun, or as a mild act of vengeance, you throw them off track too. But it is these crests and troughs that make the writing experience so amazing.
   Another interesting facet is the gender of the co-author. Most of these stories have inadvertently focused on man-woman encounters/relationships, and I hate to admit that this is one classic space for stereotypes. While my repertoire of, and experience with, co-authors is really little, two things have leapt out at me. One: the men love sex; two: the women love love. I know it isn't news. But I've never before seen such a frank display of preferences. It's a place for writing out fantasies, in the shadow of characters. It is about giving vent to disappointments and expressing joy. It is about meeting our innate narcissistic needs. It's amazing really, how in writing fiction, we let out facts.

Wednesday, February 16, 2011

The Phase - part 3



I know myself well enough to have foreseen that The Phase would be just that. I'm growing out of it. Poetry arrived, we danced and it now leaves. As all good things must. From The Phase - Part 2, where I graduated from micropoetry to microfiction, this third phase was about exploring the many fun WOTD (word of the day) games people play on Twitter. What lovely kindred spirits I have found in this journey. People, who've shown me that beauty is a mission, competition and sometimes, just love. This last compilation here marks the end of my romance with Twitter poetry, albeit only on my blog. I'll continue to write them on Twitter when inspiration grabs me by the throat, and stories and thoughts and things that may or may not touch you. But a lot of my heart is in these. 



121. Behind closed doors/ inside fantastic wardrobes/ she wears an alias; then another/ casts them off like used lovers/ remorselessly.



122. Am I glad ~ Am I not ~ That you are you ~ That you are not ~ a subservient slave ~ I better be ~ to this place of illusions



123. He runs by me/ a bit of memory/ quiet, like a droplet/ a slow flow down my back/ making me aware, he is there/ yet not



124. He held her left arm supinate, locked her right arm in his. And offset the cold satin on her belly, with his warm breaths on her back.



125. He says nothing for a moment/ she says nothing for two/ titillating pauses talk/ making erotic silent stories



126. Her arched back, a crossbow ~ his arm holding it, an arrow ~ and passion in the wings ~ waiting to strike them down



127. "Oh, do away" / she said, "with so much mush."/ "I might need galoshes/ to walk all over you." 



128. Don't leave; not yet, darling/ paper cuts are yet to be/ as I hold sharp sheets to my throat/ coaxing my voice, to write what it won't say



129. But they never looked at her nails. Just her unusually brave face, that awaited the news of a catastrophe, with a strange calm.



130. She seemed fine. Only those mercilessly chewed-upon nails could give her fears away. With news of war each day, she prayed and chewed.



131. There stands a pot of dye/ and here stand I/ and what stands between us/ is an acknowledgement of age.



132. Camera in hand, he waited for an efficacious light. One day, two days and ten. Meanwhile, the muse, bored of waiting, grew fat on fries.



133. An acapella rings out ~ sweet sounds of doubt ~ he loves me ~ he loves me not



134. Nurture it with waters cold/ tender with lessons of old/ but the little tinder will grow bold/ make fire; for it was born to burn



135. Glory be to the mother/ a Yashoda unsung/ and stories of her tears/ that went uncelebrated



136. His head on Rukmini's lap ~ repose playing coy ~ the peacock feathered brow ~ lets the universe rest on it



137. The battlefield reeked of death. The Parthasarathi breathed in. Equanimity. As if it were no different from the happy place by the Yamuna.



138. Radhika's skies ~ forever a blue ~ tinted days and nights ~ in her Shyam's hue.



139. "But, can I lose no more battles? Can I not run away again?" lamented the Ranchhod. Only one folly was no fair allowance to his human form.



140. And he left her behind/ with his flute for solace/ "Why the need, dear Krishna/ when you take away the music?"



141. The apple of her eye ~ charms another ~ she glows and burns ~ the mother, Yashoda



142. As it stuck to plants/ the curses stuck to him/ 'But where will I go?'/ asks the hapless aphid



143. Hush, my friend/ silences are not naught/ there are loud latent meanings/ if you



144. I call it the Urge Montage. Here, you see hunger, here, ambition, here murder, here, escape, here, a scream, here, a dream.



145. I recall the scent/ of that moment when/ pinned against a wall/ I awaited your kiss/ joys imploding in me



146. The air up here, silent normally/ dares today, to see what it can be/ to stretch its boundaries/ with some sibilant slicing of the night sky



147. Summer dreams in a winter's night/ rain thirsty, summer-parched minds/ a nice, dry corner, want the damp spirits/ our lives, forever wanting



148. Sibilant waves. Thrashing, sloshing, rushing, pushing, gnashing, splashing, lashing, crashing. And washing my woes away. 



149. Relief is seeping in now. Life is seeping out. She lets go her last breath too. Her revenge complete.



150. There was so much rage. She sits over his body, savours his lifeless face. Celebrates his decomposition. The blood on the floor, now brown.



151. He kept turning around, saying "Shoo!" and their wonder kept increasing.



152. He seemed odd. And more people walked along, driven by their curiosities. The man, who was different, in being himself, was branded messiah.



153. Lower your eyes; they make me tremble/ they make buckle, under passion/ lower your eyes, for I think vice/ Oh won't you, lower your eyes?



154. In the swell of her breasts ~ and the curve of her hips ~ and the flaming red of her lips ~ inscribed, her artful lover's name



155. He shows me, he loves me/ in quaint little ways / when he gets up and dances/ two left feet and his heart



156. Then he said, "There is news..." #sixwords



157. Sweet memories of a virgin night ~ when your maladroit fingers ~ earnest to love me right ~ found the man and woman in us



158. The spaces between us/ frozen solid/ won't let leave/ won't let love



159. Cakes and ale, and ring and aisle/ were the beginning of a promise/ we've smiled and cried and grown since then/ into man and wife and one



160. Proving my love to you/ is a blade walk/ I'd rather not do/ you don't want blood/ on your hands too



161. I hold still, as this soporific day/ slithers, stops, slithers; upon my very face/ I blink not, afraid/ its languorous yawn will claim me



162. An ancient practice, among practitioners of sophism, needs them to ride vicious cycles, in pointless circles.



163. There's a little coffee at the bottom of the mug. And there's some ash. Some chewed gum. Hair. Tissue used to wipe whatnot. A story too.



164. A room laden with the unsaid/ putrid fumes of silence/ a war of vile stares/ warriors armed with tacit 



165. He waited, ring in hand/ on his knees, heart on sleeve/ She took too long, to get her makeup on/ his kneecaps hurt, and he left. 



166. I see you are back; bags and all / Love is back too, I presume / Shall we talk now, start again / Or live in tacit silence?



167. Strangers, made lovers/ for a short while, on a small walk/ cried when the path forked/ for they could hold hands, no longer



168. Come, let's talk you out of that xenophobia. Let's tell you how, beneath their layers, are smiles and tears, just like yours.



169. Looks like we let them win/ looks like time and space walked in/ to the sacred space between us/ looks like we drifted



170. How unfair, sweet lover/ that you should look away/ while I look for you/ in the fragments of an old love



171. A surfeit of charm ~ in the charming rogue ~ was the undoing of the rogue ~ with a roguish charm



172. You wouldn't know that little Pied Piper's favourite teddy bear was eaten up by mice.



173. Sudden death ~ a cruel kindness ~ no time for goodbyes ~ no need for them



174. Little girls, holding kite string wheels. Wait in hope, that they will be allowed to fly. Wait till they learn some important lessons.



175. A broken warehouse ~ happy times in clogged wheels ~ an unkind verisimilitude ~ to the owner's life



176. A séance ~ to call forth her own soul ~ to check if ~ she was living or dead



177. Give not all and stop not all/ for wasn't it when/ He clipped his wings/ that archangel turned archenemy?



178. I could hear them clash ~ steely swords of ego ~ father, son and Oedipus ~ demanding pieces of me



179. He sought a slavegirl. A perfect ebony. To hold still and be laden with treasures. "For what is more luscious than gold on black?" he'd say.



180. Unlearn the wheel some day ~ feel your feet again ~ stand still for a while ~ and talk to your roots.



181. When you won't stay, I hold your apparition hostage. Force my love on it, force it to love me. Dance with it, as one, until you come back.



182. Trapped. She found two exit doors. One on the ceiling, one on the floor. It was a nightmare, because she was chained to the walls. Trapped.



183. I'm tearing pages, I'm tearing pages/ doing away with my rages/ forgetting songs of heartbreak/ and laughing because I once cried



184. The room stank of stale perfume and all things faux. Pearls, labels, hair, breasts. The reporter's winning story: The Death of a Drag Queen



185. I remember a stranger from many winters ago. I remember only his lips. Trembling, shivering lips. Perhaps in need for warmth. Inside out.



186. How sad this world/ that needs a loss/ to unite/ and not love



187. How beautiful is that unbending spirit of a child, luminous with self-belief, untouched by self-doubt.



188. A bottomless well. An endless spiral staircase. A very dark darkness. A tearing temptation to climb down to see where it ends, if it does.



189. Chocolate. Dark. Passion. Molten. Sweet. Bitter-sweet. Lips. Swirl. Fulfill. Trickle. Lick. Dance. Tongue. Smooth. Languor. Bitten. Smitten.



190. In the flash of his glistening axe/ the soldier saw beauty/ a nobler call for duty/ towards that of his own heart



191. I have a wooden box/ empty and not/ for it holds life stories/ of the soil, and tree and man



192. There's a step to choose/ while you're at the fringe/ into or away from/ the wilderness called loneliness



193. The mind ~ an illusionist ~ a contortionist ~ an escape artist too



194. His father's shoes, his razor, his shirt. "Try not to fit into them so soon, my son. They have untold miles and blood and sweat in them."



195. Truth rasps ~ like a breathless fish ~ in a sea of wrongs ~ that soak our gills



196. Mild, but then/ a battleground it is/ motherhood has, but/ valour medals in smiles



197. It's a crack in the night sky ~ that travels, grows and shrinks ~ they say it's the moon ~ I say it's a piece of the next day



198. Place caution on a winnow/ throw it to the winds/ let them scatter, make small/ and do what you will



199. A checkered path ~ one black step ~ after a white ~ if you choose ~ to walk straight



200. A love born of my womb/ whence I see you sleep/ feel a love that makes me strong/ and a love that makes me weak



201. One wrong held aloft ~ among a hundred rights, trivialised ~ to shine like a beacon ~ to be spat upon



202. The wine glass stood empty/ Save for some drops of memory/ An echo of sweet nothings/ and savoured, fermented grape juice



203. Somedays, words on a deathbed lie/ but then comes a horse, muse astride/ wrings my heart with passion/ love children born of my pen



204. Waves. Thick and fast,/ the black soporific/ engulf and drown/ the blank eyed ruse of wakefulness.



205. A silent knife/ a skillful carver/ a restless heart/ an effortless groove.



206. He stripped them of colour/ To make blacks black, and whites white/ A frame of truth/ Bared for beauty



207. To watch a hurricane go by/ shreds of life in its wake/ death dotting street sides/ simple pleasures of a lensman



208. Only the lights danced/ only the shadows moved/ created intimate, intricate patterns/ with two perfect strangers



209. Rinsed of its history/ a short-lived romance/ blank pages/ want ink again



210. A hapless mother/ a mother no less/ a broken heart in a wicker basket/ a Moses or a Karna



211. Lingering old love/ like the musty after-rain smell/ in my clothes, in my hair/ a mud patch in my heart



212. You sound familiar. The sound of words I've never uttered. Sometimes, I feel I'm on both ends of the telephone.



213. Intertwined destinies/ like vines of different leaf/ distinct, but fused/ a source of life to each other



214. Been a while since I looked/ young hands are old now/ but they hold on still/ marking lines in the other's palm.



215. Peace, over wine glasses/ shattered by the mundane/ pick up the pieces, start again/ an ordinary Monday in a briefcase



216. Just because I let you be/ unfettered, without curtains/ you let my secrets out/ O vile, wicked window!



217. A new set of numbers/ two zero one one/ perhaps have meanings for some/ perhaps they have none.



218. Buttons, unbuttoned. Zips, unzipped. Hooks, unhooked. Mixed breaths and unintended confessions. A few reds had caught them off guard.



219. New year eve stories: A loner | A performer | An early sleeper | A drinker | A doctor | A TV watcher | A bouncer | A wannabe | A granny.



220. A word of love, ignites another/ falling in line, in rhyme/ one heart's tune, a melody then/ making music of the soul together



221. You got no place/ for a soul out cold/ in your hearth or your heart/ and you demand a warm obituary?



222. A shiny trajectory/ your space, your time, your pace/ a happy little place/ the moment you stand in/ the finish line and the start.



223. There are darknesses to touch too. That smooth quiet of after dusk. That velvet peace of night. That silken sleep. Feel all, fall free.



224. Pour all lovers in a mosh pit. Let their bodies mingle. With the mud, the blood and the lust. Let the names be gone. Let only passion play.



225. Despite the silk of her scarf and the svelte black dress, worked a fervent fantasy. An aquiline nose. And a cosmetic surgeon's address.



226. Behind that jinx, is perhaps a benevolence. Clad in failure of your intent. Perhaps you're not meant to get there yet. And learn to wait.



227. How terrifying the gift of foresight is/ to not make a mistake, cold and perfect/ to not fall and laugh/ to not want to play with fire.



228. Crows feet and mellowed tempers/ laugh lines and stretch marks/ little badges of honour/ for being a sport about passing time.



229. A famous seer. He could tell all. Because he knew all. Because he studied all. Because he wanted to defeat fate. Because he was born blind.



230. Her hand slid up his jacket sleeve. Felt the silk lining, a scar and her life. A healed gunshot wound. One he had shielded her from.



231. One hot-blooded encounter. Then silence. Like a heavy, inconspicuous layer of cream. On a forgotten cup of coffee by the bedside.



232. The prisoner laughed at them mockingly. So they erased his past and then set him free. Consigned him thus, to a life of no memory.



233. Place me in a place I know not/ tell me a tale of anonymous passion/ pry open my lids to some irony/ force upon me a vicissitude.



234. Disjointed fragments of reality/ a phantasmagoric world, spun/ around truths and make-believes/ he chooses to live in his personal cliché.



235. Mystic byroads in a mundane life/ lit up and drew me in/ when Hafiz spoke and Rumi sang/ my dervish soul twirled and followed



236. I ask to stand tall ~ my head in the clouds ~ yet feet on the ground ~ an impossibly beautiful flux ~ of humility and grandeur.



237. I am really a child, a happy child. And I got a toy box full of big, bright words. I play some, I strew some, I chew some. Then I go to bed.



238. Armed with a slingshot/ over a field of dreams/ hurtling verses at naysayers/ she defended with poesy.



239. "My heart's not dark," says he/ "My mind isn't dark," says he/ "My words aren't dark," says he/ "It's that dust on the bloody window."



240. His beauty, she beheld/ was rendered a glassy-eyed fool/ begged him to set her free/ by shattering her dreams with vanity.